A world-weary noir detective and a dark ‘n’ gritty reimagining of Sherlock Holmes investigate the brutal death of a beloved TRC cast member in this epic murder mystery / romantic comedy / time travel adventure.
Andrey Summers, Alastair Craig and Tim Morrison.
Additional scenes by Ben K. and Chad McCanna.
Tomorrow performed by Fiona “I Don’t Really Sing Like This” Revill
Rock Mobster (It’s Funny, You See, Because…) composed under academic duress by Alastair Craig.
Zombie Girl appears courtesy of The Terrordactyls
Episode compiled by Alastair Craig
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Casino Royale is not a James Bond film. It has a character in it named “James” (which is a fairly common name) and his last name happens to be “Bond”, which I suppose is some coincidence, but that’s pretty-much where the similarity ends. This bold new reboot of the Bond mythos has foregone campy humor, funky gadgets and delicious innuendo in favor of a brooding, bloody-fisted spy with a fractured psyche. In this manner, Casino Royale has taken the admirable step away from self-parody and toward direct thievery of the Jason Bourne franchise.
But fear not. Apparently this is what the public wants. At no time was I more attuned to this blood-curdling fact than when Harry Knowles, Demon Emperor of Ain’t It Cool News got a whiff of the Variety story (AICN shuns the term Variety, preferring to instead refer to the trade paper as “one of our top LA operatives”) claiming Eddie Murphy was going to attempt raping a dead horse and do another Beverly Hills Cop movie.
Knowles, a beacon (I accidentally typed ‘bacon’ at first) in the tundra of “geek culture” responded to this news with the following fucked up shit:
“After watching Eddie’s performance in DREAMGIRLS – I can say, without hesitation that this could be a brilliant career move. Make Foley a badass, burnt out – possibly retired – having to face down one last investigation… Making the action hurt, making Murphy foul again. And don’t bring back Serge. Kill Billy in the opening sequence and start from there.”
Is there any comprehension up there of what the Beverly Hills Cop series is actually supposed to be about? I’m beginning to suspect that if people like this had their way, every cop, secret agent, and social worker character in every franchise would inevitably turn into Max Payne. In lieu of the imminence of such a dystopian hell, I have crafted what one might call a forecast. A grim warning of things to come, if we don’t take action and place improvised explosives on the rails used by the Hollywood supply-trains. In other words…
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